Who This Is For

  • Parents and Students
  • RSL Exams

What You'll Learn

The parts of a graded exam, how the mark is built, and how a grade fits into ordinary weekly lessons.

  • What a candidate prepares for a graded exam
  • How the hundred marks are split and banded
  • How grade choice and timing are decided

RSL Awards runs graded music exams in two streams: Rockschool for contemporary instruments, and RSL Classical for piano, violin and guitar. Levels run from Debut through Grade 8. The certificate at the end is a regulated qualification with a mark sheet attached, which is a different thing from a school prize.

Families usually ask the same three questions. What does the student actually have to do, how is it marked, and when is the right time. Here is the shape of it.

what is actually in the exam

A graded exam is built from pieces, technical work and three short supporting tests. The exact requirements change by instrument and level, so the current syllabus for the student's instrument is always the authority, but the structure holds.

Inside A Graded Exam

Three pieces

Around sixty of the hundred marks. Chosen from the grade book, with free-choice options at most levels.

Technical exercises

Scales, chords, rudiments or set riffs. A small block of marks, and quick to drop.

Supporting tests

Sight reading or an improvisation task, plus ear tests and a few spoken musicianship questions.

One hundred marks

Sixty passes. Seventy-five is a merit, ninety a distinction, with written examiner comments either way.

The supporting tests are where unprepared candidates lose the most. They are small sections, they are predictable, and students skip them because the pieces are more fun. Five minutes a week on sight reading from the start of the term is usually the difference between a pass and a merit.

the other route: a performance certificate

RSL also offers a performance-only option. The student prepares five pieces and no technical work or supporting tests, and the whole thing is assessed as playing. It suits a student who performs well and gets genuinely miserable about ear tests, and it suits an adult returning to an instrument who wants a target without homework.

The trade-off is real. A graded exam builds the technical and reading habits that make the next grade easier. A string of performance certificates can leave gaps that show up later. Teachers here usually suggest alternating, or using a performance certificate as a confidence year.

who picks the grade

The teacher does, with the family in the room. The decision is not based on how long the student has played. It comes from what the teacher sees every week: whether practice happens between lessons, whether the student can hold a piece together at the end of a run, how they read something unfamiliar, and what happens after a mistake. A student who stops dead at every wrong note is not ready for a recording, whatever their repertoire looks like.

Choose the grade too high and the term turns into a grind at home. Choose it slightly low and the student records a confident programme and comes out wanting the next one. The second mistake is much cheaper than the first.

how long it takes

Two to three terms of ordinary weekly lessons is a realistic run-up for most students. Terms here run ten lessons, so that is twenty to thirty lessons in which the pieces get learned, cleaned, memorised where useful, and then played so many times that exam day feels familiar.

Compressing it into six weeks is possible and rarely pleasant. The pieces get to a playable state, the technical work gets rushed, and the student spends exam week discovering what pressure does to a half-learned passage.

what exam week looks like here

We organise dedicated recording sessions during exam week at both campuses. A room, a prepared programme, a teacher who already knows how the student plays it, and enough time that nobody is sprinting in from a tuk-tuk and recording cold. The submission goes to RSL and is marked by an examiner who has never met the student.

By that point, nothing in the exam should be new. Exam week exists to capture work that is already finished, so the preparation is the exam and the recording is the receipt.

reading the result properly

The mark sheet comes back with comments on each piece and each test. That is the useful part. It tells the teacher whether the mark came from solid playing or from one strong piece carrying two weak ones, and it decides what the next term looks like: straight to the next grade for some students, a term of reading and rhythm repair for others.

Grades 6 to 8 sit at a level that carries UCAS points in the UK, which matters to families thinking about university abroad. For everyone else, the value is simpler. A real deadline, an outside assessor, and proof that the student finished something.

when to wait a term

Wait if the student is still settling into lessons, if practice at home is sporadic, if they are already carrying exams at their day school this term, or if the enjoyment is fragile. A grade adds structure to a routine that exists. It cannot create one.

Useful Reading Elsewhere

Quick Takeaway

  • A graded exam is pieces, technical work and short supporting tests, marked out of a hundred.
  • Sixty is a pass, seventy-five a merit, ninety a distinction.
  • Two or three terms of normal lessons is a realistic run-up.
  • The examiner's comments are worth more to the next term than the certificate is.

share this article